Skip to content

sleeve / fragment

Hem border with zigzag band of rosettes and crosses and half rosettes
Title
  • Hem border with zigzag band of rosettes and crosses and half rosettes (descriptive title)
Collection
Production
Subject
Material | Technique
Measurements
  • height: 18 cm
  • width: 30 cm
Inventory number
  • T 340-2
Acquisition
  • purchase , 1883
Department
  • Textiles and Carpets Collection
Superordinated Object
Quote Recomendation
Copied to clipboard
  • sleeve, Hem border with zigzag band of rosettes and crosses and half rosettes, Anonym, MAK Inv.nr. T 340-2
Permalink
Copied to clipboard
  • https://sammlung.mak.at/en/collect/hem-border-with-zigzag-band-of-rosettes-and-crosses-and-half-rosettes_118271
Last update
  • 02.04.2025

Related via

Artist
Artist
Location
Material

Fotografie von Taufzubehör mit Brüsseler Spitzen

Fotografie eines Spitzenmusters aus Burano, Italien

Fotografie eines Spitzenmusters aus Burano, Italien

Fotografie eines Spitzenmusters aus Burano, Italien

Fotografie eines Spitzenmusters aus Burano, Italien

Fotografie eines Spitzenmusters aus Burano, Italien

Fotografie eines Spitzenmusters aus Burano, Italien

Fotografie eines Spitzenmusters aus Burano, Italien

Fotografie eines Spitzenmusters aus Burano, Italien

Hem border with zigzag band of rosettes and crosses and half rosettes

Linen cloth with stlyised faunal and floral motifs

Zierstückfragment, fünf Streifen, stilisierten Blattranken und Rosetten

Decorative band with ground weave remnant; framing of volutes and flowers in a row

Roundel (orbiculus), stylised plant pattern, cloisonné-type framing

Child’s tunic with open horizontal tuck and a decorative band (clavus); pattern of round leaves and rosettes

Child’s tunic; sleeve with decorative band; pattern of round leaves and rosettes

Child’s tunic with a decorative band (clavus); pattern of round leaves and rosettes

Fragment of a linen tunic with horizontal tuck and two decorative bands (clavi); triangles and vegetal motifs on red ground; orange, blue, green, purple, yellow and ecru

Double band of a tunic with medallion, stylised plants, dogs and birds

Four tunic fragments with narrow decorative band (clavus), angular decorative band (angular clavus) and a square embellishment (tabula, MAK inv.-no. T 00382-1883); diamonds filled with crosses, vegetal motives (composition incorrect)

Four woollen textile with angular decorative band (angular clavus); geometrical pattern of stepped forms

Three fragments of a tunic with a fragmented embellishment and hem band; red circles on black ground

Nine fragments of a tunic with two decorative bands (clavi) und neck border; pattern of arranged filled and heart shaped leaves, and stripes

Three fragments of a decorative band (Clavus) with foliate embellishments and a bar

Eleven fragments of a linen cloth with leaves, blossoms, birds, and stylised human figures

Three fragments of a tunic; ground weave, two decorative bands (clavi), three roundel (orbiculus) and remnants of a neckband; linear pattern

Two decorative bands on remnants of ground weave; stylised plant pattern; purple, greenish-grey, blue, ecru

Two woollen sleeve fragments (?), five rectangles with ornamental patterns; brown, yellow, ecru

Horizontal tucks, a roundel (orbiculus), two decorative stripes (clavi) with pendants (sigilla) on fillets, one sleeve with double sleeveband; pattern of birds, human heads, plants
Buy ticket
Become a patron
MAK Design Shop

Contact us

Hidden
Topic
Topic 2(Required)
Disclaimer(Required)
This field is for validation purposes and should be left unchanged.

Latest Blog Posts

„…glaubend, dass dahinter alles Glück“: Der Vorhang im Werk von Dagobert Peche

MUSTER DER MODERNE: Wie eine Sammlerin ihre Kimonos nach Wien brachte

PAUL HUMPOLETZ – WHO?

Von jungen Menschen, für junge Menschen: (young)MAK gestaltet kreative Angebote

Inspektor gibt’s kaan: Robert Maria Stieg und die Initiative So

Paris pulsiert – Kunstmesse und neue Ausstellungen, die man nicht verpassen sollte

Herzlich Willkommen auf der neuen MAK Sammlung Online!

Anleitung zur Aufmerksamkeit: Adam Štěch’s gewaltiger Bildatlas rückt Elemente von Architekturen der internationalen Moderne ins Rampenlicht

WER ZULETZT LACHT, LACHT AM BESTEN – ein museal-kuratorischer Blick auf DON CARLO in der Wiener Staatsoper

Die Spaghetti-Gabel von Andreas Feldinger – ein Testbericht zur Ausstellung AUT NOW
More at MAK Blog