Skip to content

woven textile fragment

Cloth with brocaded pattern; polychrome square-rhombus lattice; border with quincunx and squares
Title
  • Cloth with brocaded pattern; polychrome square-rhombus lattice; border with quincunx and squares (descriptive title)
Collection
Production
Subject
Material | Technique
Measurements
  • height: 72 cm
  • width: 45.5 cm
Inventory number
  • T 546
Acquisition
  • purchase , 1883
Department
  • Textiles and Carpets Collection
Quote Recomendation
Copied to clipboard
  • woven textile fragment, Cloth with brocaded pattern; polychrome square-rhombus lattice; border with quincunx and squares, Anonym, MAK Inv.nr. T 546
Permalink
Copied to clipboard
  • https://sammlung.mak.at/en/collect/cloth-with-brocaded-pattern-polychrome-square-rhombus-lattice-border-with-quincunx-and-squares_107621
Last update
  • 02.04.2025

Related via

Exhibition
Exhibition
Artist
Location
Material

Four tunic fragments with narrow decorative band (clavus), angular decorative band (angular clavus) and a square embellishment (tabula, MAK inv.-no. T 00382-1883); diamonds filled with crosses, vegetal motives (composition incorrect)

Eleven fragments of a linen cloth with leaves, blossoms, birds, and stylised human figures

Three fragments of a tunic; ground weave, two decorative bands (clavi), three roundel (orbiculus) and remnants of a neckband; linear pattern

Horizontal tucks, a roundel (orbiculus), two decorative stripes (clavi) with pendants (sigilla) on fillets, one sleeve with double sleeveband; pattern of birds, human heads, plants

Three woollen cloth fragments with stripes, an embroidered inscription and inserted decorative elements

Two square embellishments (tabulae), a decorative band (clavus) with pendant (sigillum); identical depictions: Venus with a shell, above her two erotes hovering, frames and clavus filled with vessels and birds (incorrect composition)

Six fragments of a tunic with two decorative bands (clavi) and two square embellishments (tabulae); dark-figured warriors, lions and hares, scalloped edges (incorrect composition)

Sleeve fragment of a linen tunic with doubled sleeveband and hem border; stylised vegetal pattern

Fragment of a tunic with decorative band (clavus) and fillet, stylised vegetal pattern

Roundel (Orbiculus) with linear ornamental pattern

Fotografie von Taufzubehör mit Brüsseler Spitzen

Fotografie eines Spitzenmusters aus Burano, Italien

Fotografie eines Spitzenmusters aus Burano, Italien

Fotografie eines Spitzenmusters aus Burano, Italien

Fotografie eines Spitzenmusters aus Burano, Italien

Fotografie eines Spitzenmusters aus Burano, Italien

Fotografie eines Spitzenmusters aus Burano, Italien

Fotografie eines Spitzenmusters aus Burano, Italien

Fotografie eines Spitzenmusters aus Burano, Italien

Four tunic fragments with narrow decorative band (clavus), angular decorative band (angular clavus) and a square embellishment (tabula, MAK inv.-no. T 00382-1883); diamonds filled with crosses, vegetal motives (composition incorrect)

Four woollen textile with angular decorative band (angular clavus); geometrical pattern of stepped forms

Three fragments of a tunic with a fragmented embellishment and hem band; red circles on black ground

Nine fragments of a tunic with two decorative bands (clavi) und neck border; pattern of arranged filled and heart shaped leaves, and stripes

Three fragments of a decorative band (Clavus) with foliate embellishments and a bar

Eleven fragments of a linen cloth with leaves, blossoms, birds, and stylised human figures

Three fragments of a tunic; ground weave, two decorative bands (clavi), three roundel (orbiculus) and remnants of a neckband; linear pattern

Two decorative bands on remnants of ground weave; stylised plant pattern; purple, greenish-grey, blue, ecru

Two woollen sleeve fragments (?), five rectangles with ornamental patterns; brown, yellow, ecru

Two fragments of a linen cloth with checkerboard pattern

Four tunic fragments with narrow decorative band (clavus), angular decorative band (angular clavus) and a square embellishment (tabula, MAK inv.-no. T 00382-1883); diamonds filled with crosses, vegetal motives (composition incorrect)

Four woollen textile with angular decorative band (angular clavus); geometrical pattern of stepped forms

Three fragments of a tunic with a fragmented embellishment and hem band; red circles on black ground

Nine fragments of a tunic with two decorative bands (clavi) und neck border; pattern of arranged filled and heart shaped leaves, and stripes

Three fragments of a decorative band (Clavus) with foliate embellishments and a bar

Eleven fragments of a linen cloth with leaves, blossoms, birds, and stylised human figures

Three fragments of a tunic; ground weave, two decorative bands (clavi), three roundel (orbiculus) and remnants of a neckband; linear pattern

Two decorative bands on remnants of ground weave; stylised plant pattern; purple, greenish-grey, blue, ecru

Two woollen sleeve fragments (?), five rectangles with ornamental patterns; brown, yellow, ecru

Horizontal tucks, a roundel (orbiculus), two decorative stripes (clavi) with pendants (sigilla) on fillets, one sleeve with double sleeveband; pattern of birds, human heads, plants
Buy ticket
Become a patron
MAK Design Shop

Contact us

Hidden
Topic
Topic 2(Required)
Disclaimer(Required)
This field is for validation purposes and should be left unchanged.

Latest Blog Posts

„…glaubend, dass dahinter alles Glück“: Der Vorhang im Werk von Dagobert Peche

MUSTER DER MODERNE: Wie eine Sammlerin ihre Kimonos nach Wien brachte

PAUL HUMPOLETZ – WHO?

Von jungen Menschen, für junge Menschen: (young)MAK gestaltet kreative Angebote

Inspektor gibt’s kaan: Robert Maria Stieg und die Initiative So

Paris pulsiert – Kunstmesse und neue Ausstellungen, die man nicht verpassen sollte

Herzlich Willkommen auf der neuen MAK Sammlung Online!

Anleitung zur Aufmerksamkeit: Adam Štěch’s gewaltiger Bildatlas rückt Elemente von Architekturen der internationalen Moderne ins Rampenlicht

WER ZULETZT LACHT, LACHT AM BESTEN – ein museal-kuratorischer Blick auf DON CARLO in der Wiener Staatsoper

Die Spaghetti-Gabel von Andreas Feldinger – ein Testbericht zur Ausstellung AUT NOW
More at MAK Blog