You are currently on the MAK Online Collection Page. For all information about the Museum of Applied Arts and current news and exhibitions, please follow the button to MAK.at.

Advanced search

型紙

小紋

MAK/Georg Mayer

Download

Quote Recomendation

Copied to clipboard

型紙, 小紋, Anonym, MAK Inv.nr. OR 3925-4666

Brief information on license and usage

Download (By downloading you accept our terms of use.)

Rights notice

Links

Terms of use

Repro request

題名

小紋

Collection

Production

作者: 無名, mie-ken 三重県, 19th century

時代 | 王朝 | 様式

江戸時代 (1603–1868)

材料 | 手法

Measurements

縦幅: 24.3 センチ
横幅: 42.3 センチ
1 Muster - 縦幅: 15 センチ
1 Muster - 横幅: 38 センチ

作品番号

OR 3925-4666

Acquisition

引継 , 1907

Department

アジアコレクション

Description

地染

Quote Recomendation

Copied to clipboard

型紙, 小紋, Anonym, MAK Inv.nr. OR 3925-4666

Permalink

Copied to clipboard

https://sammlung.mak.at/ja/collect/小紋_338974

Last update

18.02.2026

Become a patron

MAK Design Shop

Contact us

First name(Required)

Last name:(Required)

E-Mail(Required)

Hidden

Topic

Repro request

Report unethic content

Feedback

Tech. feedback

Topic 2(Required)

Repro request

Report unethic content

Feedback

Tech. feedback

Your message(Required)

Disclaimer(Required)

I hereby grant permission that my personal data will be processed in order to send me the MAK Newsletter and MAK invitations. For further information, please also see our Data Protection Statement.

Email

This field is for validation purposes and should be left unchanged.

„Österreich in Paris“ – 100 Jahre Kunstgewerbeausstellung 1925

More Than Just Words: Experimental Poetry and Visual Art

More Than Just Words. Experimentelle Dichtung und bildende Kunst

Auf den Spuren des Gablonzer Christbaumschmucks

Lecture von Diedrich Diederichsen über Künstler*innenbücher

Lecture by Diedrich Diederichsen on Artists’ Books

Holzstock, Wurmloch und Klischees – Beobachtungen zu Dürers Ehrenpforte Kaiser Maximilians I.

The Making Of: SIDEKICKS. Ringe und Taschen aus der MAK Sammlung

Wie Spanien Otto Wagner inspirierte – und warum 17.000 Aluminiumbolzen die Postsparkasse zieren

Ein postkolonialer Blick auf die Sammlung

More at MAK Blog